Gillian Jacobs - The Coveteur - March 2014

Gillian Jacobs - The Coveteur - March 2014

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All I ever did to that apartment was hang fifty yards of yellow theatrical silk across the bedroom windows, because I had some idea that the gold light would make me feel better, but I did not bother to weight the curtains correctly and all that summer the long panels of transparent golden silk would blow out the windows and get tangled and drenched in afternoon thunderstorms. That was the year, my twenty-eight, when I was discovering that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and ever procrastination, every word, all of it.

Joan Didion,Goodbye to All That” (via commovente)

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vertebralmeans:

Oscar Isaac receiving an award for perfect jawline and perfect nose profile.

vertebralmeans:

Oscar Isaac receiving an award for perfect jawline and perfect nose profile.

Hemingway and James Joyce were drinking buddies in Paris. Joyce was thin and bespectacled; Hemingway was tall and strapping. When they went out Joyce would get drunk, pick a fight with a bigger guy in the bar and then hide behind Hemingway and yell, “Deal with him, Hemingway. Deal with him.”

[x] (via newzerokaneda)

Between this and the story about him reassuring F. Scott Fitzgerald re dick size, I’m developing a picture of Hemingway as the mother hen of the disaffected white male literary set of the early 20th century.

He probably called up Steinbeck sometimes and was like I CAN’T EVEN WITH THESE DIPSHITS and Steinbeck was all “That’s what you get for living in Paris, asshole”.

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Kirsten Dunst as Colette MacFarland in The Two Faces of January

galacticaps:

Good. Because a man who doesn’t spend time with his family can never be a real man. The Godfather (1972)

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Peter O’Toole photographed by Douglas Kirkland, 1964.

Peter O’Toole photographed by Douglas Kirkland, 1964.

(Source: evagronka)

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