insaneboingo:

Wonderfalls reunion with Caroline Dhavernas and Lee Pace (x)

 

There’s a science to walking through windows
There’s a science to walking through windows without you
[x]

(Source: dairlings)


François unknowingly lingering nearby the palazzo Cesare inhabited (the orange-y one with the little tower down the street, palazzo de’ Penitenzieri or San Clemente) x

François unknowingly lingering nearby the palazzo Cesare inhabited (the orange-y one with the little tower down the street, palazzo de’ Penitenzieri or San Clemente) x

(Source: theborgiasita)

wraparoundcurl:

Yes.

I don’t give a shit what the world thinks. I was born a bitch, I was born a painter, I was born fucked. But I was happy in my way. You did not understand what I am. I am love. I am pleasure, I am essence, I am an idiot, I am an alcoholic, I am tenacious. I am; simply I am…You are a shit.

Frida Kahlo, from an unsent letter to Diego Rivera (via violentwavesofemotion)

(Source: gadot)

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

"We have a word for that in Japanese," he said. "It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

"I don’t think it’s like the pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.

Rogert Ebert, on Hayao Miyazaki (via thymoss)

(Source: improv-is-easy)

"When I’m creating a character, I don’t see it so much as playing someone else as just playing a specific part of myself under certain circumstances."

(Source: fuckyeahoscarisaac)

weregecko:

    The second Zane came in, it just clicked. We had a really good time. Robert was just smiling the whole time and laughing while we were playing. After Zane left the room, I could just see him. He’s got this smirk he does and this little laugh. The second I saw that I was like, “All right, that’s the guy.” There was nobody else for the part. Zane’s crushing it.  

D.J. Cotrona